May 17, 2012

Fallen Martyr

Fallen MartyrBe ready for metal and volume when you listen to Fallen Martyr. In trying to separate themselves from others in the genre, the members of the group started with the philosophy that ““Metal is starting to sound the same now-a-days. I don’t want to define a genre. I want to start my own. That’s how I’ve always felt.” Those words are from one of the founding members, Gabriel.

“The Man Becomes the Prophet” is certainly about screaming guitars, rapid-fire drums and the almost-vocal growl at the start. But the lyrics become clear as the song progresses, telling a disturbing yet inspiring story. “Reverse Metamorphosis” has the same energy with harmony on guitar that shows nice musicianship. The concept of the title is very interesting.

The Six Roots of True Will should be a favorite among metal and “growl” fans. Certainly, the drumming and guitars fit with what this listener has heard in a couple of venues around the country. The samples on the band’s Web site have gathered thousands of plays, not surprising considering the explosion of metal/growl popularity in the past couple of years.

“All In” lends credence to the PR statement from the band, Fallen Martyr is “a band without inhibitions, freely melting the forms of metal into artwork that cannot be
replicated or replayed in less than five minutes on the stage.”

Fallen Martyr on MySpace

[tags]fallen martyr[/tags]

Matt Graham

Matt GrahamThis young fellow is a folk singer from Austin, Texas. But is that it, really? His music has a youthful energy that could fit the pop genre. Some of the information about Graham and his early musical efforts in the way: home/backtolife use the term “soul.” But don’t expect to hear traditional soul music with this singer.
All of his Web titles are in lower case so we’re going to stay with that for now. “the train dancer” could be considered roots music and the background horns do provide some “soul.” All things considered, this is a neat little song. “a horse named faith” is definitely a folk song, but Graham adds an interesting ingredient – horns, again. This changes things slightly, so that his billing as folk/soul just might work. The result is rather easy on the ears.
The most interesting fact about Graham and his introduction to the world of music was that the collection of music on CD was introduced at a gallery opening. According to Graham, “I didn’t make liner notes. I did have friends listen to demos and create album art. Their work is currently on display at gallery 5619 here in Austin.”
The music is produced by: Matt – vocals, guitars, banjos, trumpets; Susan – angelsounds; Keiko – cello; Michael – bass, vocals.

Matt Graham on MySpace

[tags]matt graham[/tags]

Take One Car

Take One CarIf you haven’t heard Take One Car you may be in for a surprise. Billing the group as experimental certainly hit the target, though there is rock flavor somewhere in the ambient sounds on selections such as “Chapter 1: The Ceiling” and “Things Heard at the Accident.” Critics, reviewers and bloggers will probably find a lot of interesting adjectives for this Millerton, New York group and tunes like “I’m Not Dead.”
Urging the world to “stop using plastic” the band’s new CD carries the title When the Ceiling Hits the Floor. The term “fusion” has been applied to the mix of genres produced by Take One Car, accurately we believe. Making up terms to define a band can be a bit dangerous. However, “anger-jazz” might fit some of the music here. Reviews have indicated that this progressive/alternative sound can’t be defined. But then “Jesus Symbiote” and “The Entropy Sequence” are too straight forward to be free-form jazz. These efforts are more like high-energy alternative rock.
Information on the Web site shows this group has been compared to At The Drive-in, Bear vs. Shark and others. Based on early experience, this assessment is in the ballpark. Take One Car will find a niche audience among the young and disaffected. That’s what the Internet world is all about. Maybe it’s best to leave it there.

Take One Car on MySpace

[tags]take one car[/tags]

Everfound

EverfoundHere are a few select words applied to this young and talented group:
Deep
Contemplative
Piano-driven
But there’s more. Everfound, based in Denver, Colorado, offers comfortable pace with its highly popular “She Said.” Listeners might think of other pop groups and “boy bands” when they are first exposed to the group, but as one reviewer writes, they are a bit more than “fabricated” and “mass market.” The music comes from a deeper place. Some of this depth can be attributed to the fact that band members are part of the Odnoralov family that left Russia years ago due to “religious and political persecution.”
The rhythm section of Yan (drums) and Larry (bass) provide a nice foundation for the songwriting of Ruslan and vocals of Nikita. Ruslan, the oldest of the members, uses the piano to give vent to his emotions and musical “thoughts.” The younger Nikita offers vocal clarity and phrasing beyond his 18 years. “Lie Detector” sounds so innocent and “poppy” but there’s a larger message here that only needs a few years to become serious social commentary.
A quote from Ruslan will be very helpful for those trying to understand where these young musicians are coming from. “We want our music to reflect the ragged edges of our times.” Some listeners have found “Bring Me Back” to be enthralling. Have a listen to Colorful Alibis and Scandalous Smiles and be your own judge.


Everfound on MySpace

[tags]everfound[/tags]

The Provocative Whites

The Provocative WhitesListeners stepping into the world of The Provocative Whites should be ready for some “rock, rock, rock” since that’s what the fellows from Tucson, Arizona display prominently in their Web presence. Then there’s the tune “Danielsong.” This is nothing less than in-your-face rock. But wait, they also bring some of the roll. With this wide-open expression of taste and philosophy, the song does give us some indication of the talent in the band.
“Gone” is an almost joyful tune. Band members Mike Rowden (lead vocals/guitar), Kane Flint (lead guitar/vocals), James Few (drums/vocals) and Tadj Roi (bass/vocals) draw the listener in then finish with an aggressive adieu to yesterday and today. “Evolym” may be a great ballad someday, though not enough listeners have tuned in to give this song its due (yet). “Stuck Aboard” provides a close look at the individual talent in the band – Few’s drumming and the guitar work by Flint, along with the lead vocals that talk to you, literally. Try out “Bird in the Hand” for a taste of what these guys sound like.
Here’s what they say, “We are a hungry band from Tucson, AZ. Getting ready to take the next step towards world domination. The desire to bring back the true spirit of rock ‘n’ roll is foremost on our mind.”
Check ‘em out at Casa Grande Gay Day in September. They’ll probably be around at other venues before then too.

The Provocative Whites on MySpace

[tags]the provocative whites[/tags]